Thursday, October 27, 2022

12 - Enryou Inoue

【井上円了、inoue enryou】

A Buddhist philosopher, he is also known as a denialist of superstitions, yokai, and other mysterious phenomena. Born in 1858 at Jikoji Temple in Niigata Prefecture, he entered the Department of Philosophy in the Faculty of Letters of the University of Tokyo at the age of 18.

Based on the idea that philosophy is the foundation of all thought and, by extension, the foundation of nations and civilizations, he has written numerous books on philosophy, as well as books advocating for the restoration of Buddhism.

Furthermore, he believed that in order to achieve true modernization, it was necessary to rid people of superstition, and as part of this effort, he proposed the study of yokai. By studying yokai and scientifically identifying their causes, he sought to thoroughly deny their existence.

Despite this attitude, however, he also acknowledges the existence of "Shinkai" [Lit. "true yokai", made by replacing the first character in yokai, 妖 "spirit, strange, ominous", with the kanji 真 "truth, reality, genuine"], mysteries that cannot be deciphered by science.


He was the first dean of the Tetsugakukan [Lit. House of Philosophy], the predecessor of Toyo University, and also contributed greatly to the development of philosophy by tirelessly giving lectures in various universities as an awareness campaign until he left this world in 1919, in Dalian, China, due to cerebral apoplexy.

11 - Great Deity Inari

【稲荷大明神、inari-daimyoujin】
[Daimyoujin is an honorific used for deities of great spiritual power. The kanji used in Inari's name are "rice plant" and "responsibility".]

Great Deity Inari, also called "Oinari-san" [I didn't translate the honorific this time because of the "o" before the name. This "o" shows respect towards the following noun, so it can also be used on objects. Example: Osushi], is one of Japan's most familiar and popular deities. Although today Inari is considered to be the god of Inari foxes, the name is thought to have originated from the word "inari", meaning "rice growing", having been an agricultural deity who was prayed to for a bountiful harvest of rice.

In the old days, when the rice harvest came, foxes living in the mountains descended to human villages to feed their young and scavenge for food. In other words, foxes were thought to be beasts that came down from the mountains as messengers of the mountain gods to announce the coming of the rice harvest.

Inari is also called "Osaki," which is believed to come from the word "osaki" [The "o" here is the same as the one pointed out before], which means "ahead", as the foxes would appear ahead of the harvest to announce it as messengers of the god.

It is said that the Great Deity Inari originated from Inari Shrine, as the patron deity of the Hata clan in Fushimi, Kyoto, but gradually became more widely spread among the people as it became associated with Shingon esoteric Buddhism.

In the Edo period (1603-1867), Inari became the object of worship for city dwellers and a fashionable deity, as it was believed that Inari could ward off misfortune and bring good fortune. As a popular Edo comical haiku goes, "In the town, there are churls, Inari, and dog dung" [I'm sorry, but there's no way I can make this fit the format of a haiku]. In other words, within a city, there were as many shrines to Inari as there were crude people or dog feces.


Some of the most prominent features of Inari shrines are the statues of foxes and the red torii gate. The fox statues are said to have their origin in the many offerings of fox statues to the shrine as prayers and gratitude.

The red torii [Lit. "where birds are/sit"] gate, the other symbol, is said to have originated from the word "tooriiru" which means "to pass through", as in "may my prayers pass through (to the gods)", having its origin be a play on words.

Monday, October 24, 2022

Episode 1 - Mr. Kokkuri - Part 5

Don't forget to read the first part, or the previous post if you haven't!

In the last part, we learned about the results of the autopsy, especially the mysterious lack of blood in the corpses. All this before lunch. Now, the no-longer-hungry detectives will figure out their next steps. Let's begin.


Connection between Incident and Blood
Was there a third party when Kaori Itou committed suicide?
       >Such a thing is impossible.
         >The possibility cannot be denied.

There's no way so much blood could disappear without any external help.
         >The possibility cannot be denied.


Then, was Kaori Itou's blood removed by human hands?
        >Correct.
                   >We can't be sure yet.

There's no need to believe in the supernatural for now.
       >Correct.


Was the blood of the first suicide victim, Narumi Hasebe, taken as well?
       >It's quite possible.
           >It's just not possible.

It obviously was.
       >It's quite possible.


So how did the culprit know they were going to die?
                  >There's just no way.
   >Precognition...?

Well... maybe they were murders? Or at least assisted suicide. But I guess there's no proof a third person was on the scene. Let's not deny it entirely, even if it means choosing the weird option.
   >Precognition...?

That's ridiculous. Precognition? I'm surprised that my own brain could come up with such an answer.
If I were to give such an answer to Ms. Hitomi, I would either receive a sigh of dismay or a sermon.
Let's be more realistic. Yeah. How about showing Ms. Hitomi the evidence I have in hand?


What evidence would be appropriate to show her?
                                              >The piece of paper found in the library. (Conclusion)
    >The Ouija board. (Conclusion)

I want to know the meaning behind the talisman, so why not?
                                              >The piece of paper found in the library. (Conclusion)

I took out the scrap of paper that I had tucked away in my breast pocket. The one I had found at Hanamine High School, that talisman.


"Um, could you look at this?" I handed over the piece of paper to Ms. Hitomi.
"What's wrong with it?" Contrary to my expectations, Hitomi's response was calm and collected.
'Is this the best you can come up with? I hoped you wouldn't disappoint me.' ...Her eyes clearly showed her disappointment.
"I think it would be better to show these kinds of dubious items to Kirisaki-kun, don't you think so? I'm not sure I can help you. It's outside my area of expertise."


"Kirisaki-kun" is the name of my brother-in-law. Suimei Kirisaki. He's a lecturer of folkloric studies at a university in Tokyo and has a strong interest in folklore and ghost stories.
Come to think of it, I received a lecture about Mr. Kokkuri a long time ago. That's right. I should go ask my brother for his opinion.
[Cut to black.]
We left the family restaurant and decided to take Ms. Hitomi, who had come all the way to tell us the results of the autopsy, back to her workplace.


Sunday 2:55 PM
Kamone University Hospital

"Thanks for taking me here. I have another autopsy to do, so if you'd excuse me.
Also, give my regards to Kirisaki-kun."
We cannot imagine how difficult it must be for someone to work both as a medical examiner and as an assistant professor at a university.
In between her intense work schedule, Ms. Hitomi came to provide us with valuable information.
Both Mr. Kogure and I saluted her as she turned back to look at us.

"Um... You're a detective, right?"


I turned around when I was called, and there stood a girl in a school uniform. I didn't recognize her. She's someone I've never met before.
Mr. Kogure quietly whispered in my ear. (Sir. That uniform, it's from Hanamine High School.) He remembered it even though we saw it only once.


"I'm Kaori Itou's classmate, I'm called {Yuka Kamiyama}." Her well-projected voice spoke volumes about her character.
Eyebrows that gave a feeling of strength. Eyes flashing with confidence. Long, wavy hair.
It's safe to say she is quite the beauty. She exudes a bewitching quality that makes it hard to believe that she is a high school girl. She probably stands out a lot in the school.
When I asked her what she wanted, she honestly confessed that she had seen us at school the day before yesterday.
Certainly, if she didn't see us that day, she wouldn't have talked to us today.
But, why here...? It's as if she knew we were going to show up here. This made her presence suddenly intrigue me.
The girl, who identified herself as Yuka Kamiyama, thought for a moment and then asked as if she had made up her mind. "...Did Kaori really commit suicide?"
"...What do you mean?" I deliberately played dumb. Since she went to the trouble of asking, she must have a reason to believe that Kaori Itou's death was not a suicide.
There are enough suspicious aspects to her death. For example, the blood that may have been taken away by a third person.
But, there is currently no evidence to answer the questions of who, why, and how.
I'd love to hear her rationale if she has any suspicions about Kaori Itou's death.
"You don't think it was suicide?"
"......"
"Why do you believe that?"
"......"
Her continued silence is frustrating. "Do you know anything at all?" My words became prickly.
That was a bad idea, and before I had time to stop her, she turned away and started running.
"Watch out!" Mr. Kogure's voice sounded out.
[Screen blinks white, and a car crash is heard.]


A white Sedan plowed into the hospital's main entrance, billowing smoke.
Onlookers gathered around to see from wherever they were hiding.
I ran over to Yuka Kamiyama, who was lying face down on the asphalt with a terrible complexion and large beads of sweat on her forehead.
She wasn't hit by the car. Thanks to Mr. Kogure pushing her out of the way, she was able to avoid the danger.
She appears to be uninjured, but at any rate, she needs to be tended to. Fortunately, we are on hospital grounds.
I'm more worried about the driver of the car. At that speed, I doubt they got away scot-free.


However, the person who should've been there was nowhere to be found.
That's absurd. This is a flat stretch of road, not a slope or anything. There is no way they could go that fast with no one stepping on the gas pedal.
They did not run away, nor were they thrown out of the car. To begin with, the engine of this car was not running.


[The talisman shows a square made of dog Kanji, with the words for fox, lion, tiger, and wolf beneath it.]
"Nn...?" Something's stuck to the driver's seat.
All that was left in the driver's seat was a strange piece of paper---


Sunday 4:19 PM
Sumino University


Sumino University, where the folklorist Suimei Kirisaki works, has its school building in a downtown area where a person can experience the feeling of the good old days.
Although it was founded in the early Showa period and has a respectable history, it seems to be called a third-rate university by test-takers and adults who worry about their credentials.
Before I came here, I tried calling my brother's cell phone, but it went to voicemail. When I called the university, a girl who seemed to be his assistant told me that he was in the middle of a lecture.
Today is Sunday, but it seems that the university is holding a special lecture for workers.
As for Yuka Kamiyama's concerning matter... She ended up regaining consciousness soon after and got off without a single injury.
Her mother came to pick her up and took her back home.
What was Yuka Kamiyama trying to tell us at that time? We will have to speak with her someday soon.


"Folklore--- That is, customs, beliefs, rituals, sermons, proverbs, and other pieces of knowledge that have been passed down and inherited by people for generations..."
"Many things seem strange to us modern people when we come to think about them again."
"But they are all the product of the wisdom of our ancestors, which is to say, the history of humankind."
"There is always some kind of meaning behind them. We must change this perception that folklore is a relic of the past."
"They still take shape and are closely connected to our lives. Yes... a particularly familiar one would be 'urban legends'."
"For example, do you know this story? This is a story I heard from a friend of a friend..."


"There once was a mother who married young and bore a child. She married at 17 and also had her child at 17. A so-called 'yanmama' [Japanese slang for young mother]."
"At first, she was enjoying her newlywed life, but soon she was too busy taking care of her child to go out with her friends her own age."
"The woman, who didn't have much free time, began to blame her child for taking away her freedom..."
"Then, on a fateful day, she slipped and dropped her less-than-one-year-old child to the ground."
"The police ruled it an accidental death, but needless to say, she intentionally dropped the baby."
"A few years after the incident, she divorced her now ex-husband and enjoyed her freedom, and married again to a young businessman she had met."
"A few years after she remarried, she gave birth to a child. This time she took good care of them and lived a happy life."
"The baby was growing so fast that they were getting a little too heavy for her to carry."
"The baby in her arms would open their mouth and speak something like this."



"Now, what is this rumor trying to tell us? Is it a lesson? A warning?"
"Or maybe it's ridiculous gossip that no one would believe. However, I believe the significance of folklore lies in the search for the hidden meanings and truths that lay within..."
We decided to wait for my brother to finish his lecture and exit the school building.

Let's end here. After a lecture, it's always good to take a break I say. In the next part, we'll finally meet Junya's 'brother' and learn a bit more about Mr. Kokkuri and the talisman.

See you then!